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      白牙讀后感800字英文

      時(shí)間:2025-09-11 18:11:11 晶敏 讀后感800字 我要投稿
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      白牙讀后感800字英文(通用7篇)

        當(dāng)閱讀完一本名著后,大家心中一定有不少感悟,這時(shí)就有必須要寫(xiě)一篇讀后感了!但是讀后感有什么要求呢?以下是小編幫大家整理的白牙讀后感800字英文(通用7篇),僅供參考,大家一起來(lái)看看吧。

      白牙讀后感800字英文(通用7篇)

        白牙讀后感800字英文 1

        I wrote it in a hurry,so I hope that you would correct the mistakes by yourself.

        Comments of White Fang

        This was a great book I would recommend this book for dog lovers and wolf lovers from all ages. It shows how White Fang grows up and is brought up in the world by his masters and the wild. As he struggles to determine good from evil, right from wrong it is a great adventure for White Fang and others.

        This book is about a half-wolf half -dog called White Fang. This story starts out before he was born. When his father and his mother are in a starving wolf pack they are forced to eat dogs off of a sled team that was traveling to a town. Every night White Fangs mother would come into their camp and lure one of their sled dogs away from the camp. The pack would eat the dog, and they did this until there was no sled dogs left then, ate the two remaining unarmed men. One day White Fangs mother and One eye his father, leave the pack to hunt on there own.

        They then have puppies but there was not enough food to support them all, so all the puppies but one died. White Fang was the only survivor. Soon after his father dies in a fight with a lynx, White Fang and his mother have to live on their own. In this time White Fang learns about the wild, how to kill and get meat. Then one day a tribe of Indians discovers him and his mother. White Fangs new master was his mothers old master and White Fang is forced to live in the camp with his mother. There was no warm welcome for White Fang. The older puppies would always fight him and hurt him on purpose.

        They soon take away his mother and he receives sever beatings from his master. When he turns one, he is put on a sled team alone with other puppies and they journey from town to town trading fur and other goods. He is then later sold to a greedy pit dog owner Beauty Smith. White fang is then forced to fight as a pit dog, he has to kill or be killed. He wins many battles against other pit dogs but when one match almost costs his life he then is found by a new loving master Weedon Scott. Weedon Scott tames White Fang and show him the true love of a master.

        白牙讀后感800字英文 2

        With the first charpter did not understand what was happenning till i got to read the whole book. Well here Jack i thing wrote this book relating this to humans though he used dogs ,just like what he wrote in the Call of the Wild. He is really an interesting writer who wrights interesting novels or books. After reading this story about white fang you will see how good the book is. This particular story is about a dog named White Fang.

        White Fang takes place in 1897 in a forest and an indian village. Also, White Fang ends up in California. White Fang, a half-wolf half-dog mix, has only had love when he was a puppy, and I would barely call that love. I believe this book is a realistic fiction novel. It has real life situations, for a wild wolf. For example, when White Fangs tries to hunt during a famine, a time when food is scarce, he gets attacked by a vicious, angry lynx, a cougar-like animal. I myself, could only relate to Weedon Scott, White Fangs late owner.

        He saw White Fang hurt and tried to help him. Its the same with me. I like to care for animals. White Fang was tormented all through cub-hood by Lip-Lip, another puppy in the indian village. Lip-Lip would always get other puppies to gang up on White Fang. This is how White Fang became the most fierce animal in the indian village. When Lip-Lip, White Fang and many other dogs run away, Lip-Lip becomes frail from lack of food. White Fang, living in the wild once before, was taught how to hunt and that the law of the wild was "eat or be eaten".

        Lip-Lip was always provided with food and never had to hunt. I think the most extrordinary part is when White Fang gets his revenge on Lip-Lip after they run-away. This book was a great novel that got me hooked. I would recommend this book for grades fourth-sixth. If you are too young, you wont understand the book and if you are too old, it will seem babyish. I believe this book will whisk you away to a whole other life.

        白牙讀后感800字英文 3

        Jack London’s White Fang is more than a tale of a wolf-dog’s survival; it is a profound exploration of how nature and nurture collide to shape character. Born in the unforgiving Yukon wilderness, White Fang begins as a creature of pure instinct—ferocious, mistrustful, and driven solely by the will to survive. His early encounters with humans are marked by cruelty: beaten by Indians, exploited in dogfights, and treated as little more than a tool. Yet beneath this brutality lies a subtle transformation, sparked by the unexpected kindness of Weedon Scott.

        London masterfully contrasts the harshness of the wild with the complexity of human civilization. White Fang’s "taming" is not a loss of his wild essence but a redirection of it. When Scott saves him from a fatal fight, White Fang learns to associate humans with compassion rather than pain. This shift—from a creature that snaps at every outstretched hand to one that defends his master with his life—reveals the malleability of even the most hardened souls.

        What resonates most is London’s refusal to romanticize either the wild or civilization. The Yukon’s beauty is matched by its brutality, just as human kindness coexists with greed and violence. White Fang’s journey suggests that true strength lies not in unyielding wildness or blind submission, but in choosing loyalty and love despite a history of suffering. In the end, he remains a wolf at heart, but one who has learned that trust can be as life-sustaining as instinct.

        白牙讀后感800字英文 4

        White Fang is a powerful study of how environment molds behavior, a theme Jack London weaves into every chapter of his canine protagonist’s life. From the moment of his birth in a den hidden in the frozen Yukon, White Fang’s world is one of scarcity and danger. His first lessons—how to hunt, how to avoid larger predators, how to fight for food—are etched into him by the land itself, which demands ruthlessness as a price for survival.

        London’s 描寫(xiě) (description) of the Northland is almost character-like: a vast, unforgiving force that shapes all who inhabit it. White Fang’s "wolverine spirit" is not inherent but forged by necessity. When he is taken into the Indian camp, his environment shifts, but cruelty replaces cold as the primary teacher. Beaten into submission by Grey Beaver, he learns that humans are masters to be feared, not trusted. This phase of his life sculpts a creature of suspicion, one who "knew only the stick and the club, and the hand that held them."

        The most dramatic transformation comes when White Fang enters the world of Weedon Scott. Here, kindness is as foreign as the California sunshine to a wolf raised in the snow. Scott’s patience—his refusal to strike, his steady supply of food, his quiet reassurance—gradually dissolves the walls White Fang built. London suggests that even the deepest scars of a harsh environment can heal when met with consistent compassion.

        By the novel’s end, White Fang retains the strength of his wild upbringing but channels it into loyalty. His journey proves that while environment may shape us, it does not chain us forever. We carry our pasts, but we can choose to let new experiences redefine us.

        白牙讀后感800字英文 5

        Jack London uses White Fang to lay bare the dual nature of humanity—the capacity for both unspeakable cruelty and profound kindness. Through the eyes of his wolf-dog protagonist, we witness humanity at its worst: Beauty Smith, who exploits White Fang’s ferocity for profit in dogfights; the miners who cheer as he tears other dogs to pieces; even Grey Beaver, who trades him away like a commodity. These characters reduce White Fang to a weapon or a tool, seeing only his strength, not his sentience.

        Yet counterbalancing this darkness is Weedon Scott, whose decency becomes a beacon in White Fang’s life. Scott’s first act of kindness—intervening to save White Fang from a fatal fight—defies the greed of those around him. His refusal to dominate through fear, instead choosing patience and trust, challenges White Fang’s understanding of what humans can be. London contrasts Scott’s "quiet, steady gaze" with the "fierce, eager eyes" of those who seek to control, highlighting that true power lies not in force, but in empathy.

        What makes this duality compelling is its realism. London does not paint Scott as a saint—he is a man of his time, with his own privileges—but as someone willing to act against the cruelty he witnesses. White Fang, in turn, becomes a mirror: he responds to violence with violence, but to kindness with devotion.

        In the end, White Fang suggests that humanity’s moral compass is not fixed. We have the choice to be Beauty Smith or Weedon Scott, to destroy or to nurture. Through White Fang’s journey, London challenges us to choose the latter, reminding us that even the most broken creatures can heal when met with compassion.

        白牙讀后感800字英文 6

        At its core, White Fang is a meditation on the tension between survival and connection—a struggle as relevant to humans as it is to Jack London’s wolf-dog hero. In the frozen Yukon, White Fang’s existence is defined by isolation. Survival demands self-reliance; trusting others is a luxury he cannot afford. His first encounters with other animals—whether littermates or predators—are battles for dominance, and human contact brings only pain. For White Fang, connection equals vulnerability, and vulnerability equals death.

        This mindset is shattered when he meets Weedon Scott. Initially, White Fang cannot comprehend Scott’s kindness. When Scott offers him meat without demanding obedience, when he speaks softly instead of striking, White Fang is confounded. Survival, he learns, can take new forms: Scott provides food and shelter not out of fear, but out of care. Slowly, White Fang begins to associate connection with safety, not danger.

        London deepens this theme by contrasting White Fang’s relationships with other characters. Grey Beaver teaches him that humans demand submission; Beauty Smith shows him that they exploit weakness. Scott, however, models a different kind of bond—one based on mutual respect. White Fang’s eventual willingness to risk his life for Scott is not a surrender of his survival instinct, but an evolution of it. He learns that protecting those we care for is a form of survival too.

        By the novel’s conclusion, White Fang has found a balance: he retains the strength to survive but now uses it to protect his new pack—Scott’s family. London suggests that while survival may drive us, connection is what makes life worth living. Even the wildest among us, he argues, crave belonging.

        白牙讀后感800字英文 7

        White Fang is a powerful exploration of identity—how we define ourselves, and how others define us. Jack London’s protagonist is caught between two worlds: wolf and dog, wild and domesticated, beast and companion. From birth, he is an outsider: too wolf-like for the dogs, too dog-like for the wolves. This sense of not belonging shapes his early life, making him fierce and solitary.

        Humans, too, try to box White Fang into a single identity. Grey Beaver sees him as a work animal, useful for pulling sleds. Beauty Smith labels him a killer, a weapon to be used in dogfights. The miners in Dawson City cheer for him as a spectacle, reducing him to his ferocity. Each of these identities is imposed, not chosen, and each limits White Fang’s potential.

        It is Weedon Scott who allows White Fang to redefine himself. Scott does not see him as a wolf, a dog, or a killer—he sees him as an individual. When Scott says, "You’re a good dog, White Fang," he gives him a new identity, one rooted in trust rather than fear. White Fang embraces this, but not by abandoning his wildness. Instead, he integrates it into his new role: he is still a hunter, but now he hunts for Scott’s protection; he is still fierce, but his ferocity is directed at threats, not those he loves.

        By the end of the novel, White Fang has found belonging not by choosing one world over the other, but by creating a space where both can coexist. He is a wolf-dog, a survivor, and a loyal companion—all at once. London’s message is clear: our identities are not fixed by birth or circumstance, but by the choices we make and the love we allow into our lives. Belonging, he suggests, comes not from fitting in, but from being seen.

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