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二胡揉弦技巧的形成及在《江河水》中的運用
畢業論文
摘 要
中國2胡是中國獨有的民族拉弦器樂，具有很強的表現力，隨著2胡事業的飛速發展，揉弦在技巧也有很大的變化，同時它也展現出對音樂的表現有著不可替代的重要性。就1個壓揉來說，根據不同的樂曲，不同的人，具體的揉弦處理就有很大的可塑空間。在演奏《江河水》時，通過壓揉，滾揉和不揉不壓的平按直音的交錯運用造成音色的強烈對比，使音樂動人心弦，感人肺腑。本文在對揉弦這1技巧進行解說的同時還針對壓揉進行詳細的分析，結合樂曲的音樂特點“悲、怨、憤”具體在《江河水》這個曲子當中的運用，并借鑒前人對這個曲子的分析，結合自己的看法，得出1個比較全面的演奏心得。
關鍵詞：揉弦；壓揉；2胡曲《江河水》
ABSTRACT
Chinese whether China unique nationality draw string instrumental music , have better expression very in erhu, with the development at full speed of the erhu undertaking , rub the string and change a great deal in the skill too, it shows and has irreplaceable importance to the behavior of the music too at the same time. As to one are pressed and rubed, according to different melodies, different persons, the concrete one rubs the string and deals with the plastic space that has greatly. While playing " rivers water ", through press , rub, roll , interweave , rub press flat according to to interlock , use strong contrast to lead to the fact the sound straight sound, make the music deeply moving, bring home to ones heart. To rub string skill this go on while not explaining still to pigeonhole , rub detailed analysis this text, application of combining music characteristic " sad , blaming , anger " of the melody concretly in this song in " rivers water ", draw lessons from forefathers analysis on this song, combine ones own view , obtain a piece of more overall gains of play.
Keywords: Rub the string; Press and rub; Erhu song " rivers water ";
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