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從“原生態(tài)民歌”走上熒屏-談“原生態(tài)民歌”的保護(hù)
畢業(yè)論文
摘 要
中國傳統(tǒng)音樂文化連亙綿延幾千年，其遺產(chǎn)之豐富可用浩如煙海來形容。但近年來和許多國家傳統(tǒng)音樂瀕臨絕境的命運相似，我國的傳統(tǒng)音樂由于缺少必要的保護(hù)措施也面臨著滅絕的危機，1些頗有價值的歌種、劇種、樂種已經(jīng)絕響。而怎樣保護(hù)傳統(tǒng)音樂，使之能夠順利的傳承發(fā)展成為越來越多人關(guān)注的事情。本文概述了中國傳統(tǒng)音樂面臨的危機及民族音樂界對保護(hù)傳統(tǒng)音樂的關(guān)注、研究與建議。針對中央電視臺第12屆青年歌手電視大獎賽中“原生態(tài)”唱法大放異彩這1可喜現(xiàn)象，分析了其受到廣泛歡迎的原因，并以此為啟發(fā)提出了保護(hù)與傳承“原生態(tài)民歌”的新途徑：“原生態(tài)民歌”應(yīng)與姊妹藝術(shù)應(yīng)和諧發(fā)展；“原生態(tài)民歌”要有效傳播，必須重視和電視等媒體聯(lián)姻；民族音樂學(xué)界可成立相關(guān)團體進(jìn)行宣傳；“原生態(tài)民歌”的演唱者必須不斷提高自身素質(zhì)以適應(yīng)社會發(fā)展的需要。
關(guān)鍵詞：中國傳統(tǒng)音樂；“原生態(tài)民歌”；保護(hù)；價值；媒體
ABSTRACT
The Chinese traditional music culture continues long for several thousand years, and the abundance of its inheritance is as vast as seas. But similar to the destinies of many countries whose traditional music is on the verge of doom in recent years, the traditional music in our country also faces depopulation, because of lack of the necessary protection measures. Some categories of songs, plays and operas with considerable value are already lost. However, how to protect traditional music and make it able to spread and develop smoothly has become the thing that more and more people pay attention to. This article summarizes the crisis that Chinese traditional music now faces and the concern, research and suggestions of the ethic music academic about the protection of traditional music. Taking a look at the pleasing phenomenon that the 12th CCTV Young Singers TV Competition in “Primary Folk Songs” method gets a unusually brilliant result, this article analyzes the reasons why it is widely popular. Enlightened by this, the article put forward the new way to protect and continue traditional music. “Primary Folk Songs” and the other related art should be in harmony for the development; If “Primary Folk Songs ”wants to spread effectively, it must attach importance to the marriage of the medium; The ethic music academic can establish the related group for the purpose of publicity. The “Primary Folk Songs” singers must improve their own qualities continuously to adapt the demand of the social development.
Key words: Chinese traditional music; “Primary Folk Songs”; protection; value; media
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